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Hi there!

I’ve a summer sale on the abalone jewellery in krupinskart shop, and if you fancy any of the pieces in the store, get in touch with #£offKAJ tag and you will get a special price on your chosen product.

Contact me on Twitter:@silviakrupinska, Facebook: Silvia Krupinska, Email: silviakrupinska(at)gmail(dot)com or comment on the post here.



Have a great summer!



Hello dear followers. This post is from the series of self reflecting and informative posts about my practice and inspirations. Every-now-and-then, I think about how I am as an artists, what has changed and as well as for me but also for my audience, I write down my thoughts. I’ve written about my love of nature and organics in the previous post in this series, Sharing the transition – My love of textures and making is stronger than ever. Today, I’m going to write about my new jewellery brand KAJ – Krupinska Abalone Jewellery. 


My creative practice has expanded, when I realized how much I enjoyed making the abalone pendants. I had this kind of material from previous experiments in organic sculpture and drawing. I wrote about it during my residency in March 2013 with Unit 3 Projects artists in DegreeArt in Vyner Street, London. The article is explaining where my ideas at the time came from, about the ethics of my materials and about inspirations for my Mountain Lakes series. The artworks described in the article were also exhibited after the residency in DegreeArt Gallery with 8 other Unit 3 Projects artists’ works, but further on (expanded) in my solo exhibition in Oct. 2013 – Plesa a Fragmenty in Poprad, Slovakia, supported by LivePozitive os.

I have branded my art practice as Organic Sculpture and Art, and KAJ is a  more design lead streak in this direction, with also originals and limited editions, but more accessible to anyone wishing to have a piece of organic sculpture, in wearable form. I named KAJ inspired partly on my name and abalone, and partly inspired by a story I used to listen to on the radio or LP, The Snow Queen by H. Ch. Andersen. The boy whose name I admired was called Kaj, the best friend of Gerda. (Listen in Slovak to the story here.) Now I have over 32 KAJ pieces of jewellery listed in my online store krupinskart, along with 20+ of my organic sculptures, prints and other art. (Some works are only available directly from my studio, not listed anywhere. Enquire within.)


I was a bit worried at the beginning I started to make KAJ that it would affect my art and how people would see my artworks, whether I should totally separate it from my art. But now I feel good about it, and my worries are gone, as I feel it made me stronger in my art practice. I’m honest to what I like to make and stand for, and I no longer worry that it will be distracting to me and my audience. I’ve had some great feedback from my collectors of KAJ and collectors of my art and I feel encouraged by it. After my limited edition of 50 abalone pendants if finished, I’m planning to introduce another fairy-tale inspired name of GERDA pieces. But that’s a bit ahead of us, and you’ll here about it later.

Finally I’d like to thank you for learning about my art and following my blog, and if you have anything to say about how you feel I present my work, how I talk and write about it or any feedback you might have, good or bad, I’m happy to read any constructive criticism. I’m aware I’ve plenty to learn, and become better practitioner. Enjoy the spring and lots of love.




Hello. I’ve been thinking how often one can get lost in contemporary art and its meanings. I for this reason for the first time have written an open ‘confession’ of what inspired me and drove me to make the new abalone sculptures, drawings, call them what you want. With my ‘heart on the text’ I give you this statement about my recent series. All of the pieces are available on website under Unit 3 Projects profile. Click away. Thanks.

During the DegreeArt residency ‘In All Directions’, I’ve focused and challenged myself to use another kind of natural material – abalone shells and their mother of pearl. I’m an organic sculptor; I thrive on challenges like these! I picked these shells for a specific reason. I’ve done a research into what kind of shells there are and how they can be sustainably sourced. I use broken recycled abalone shells and my supplier has the Trade in Endangered Species licence (CITES). It is very important to me and I believe as an artist I have a responsibility to the environment.

Silvia Krupinska, Frozen Lake, High Tatras, Slovakia, 2013_detail

Silvia Krupinska, Frozen Lake, High Tatras, Slovakia, 2013_detail

The new works of ‘Mountain Lakes’ are personal works that relate to the place where I was born in Slovakia, The High Tatras Mountains (Those are split on the north with Poland too). I felt I needed to share part of my belonging, the shapes of snowy peaks and nature I could see every day from my window that influenced me hugely. All this might have contributed that I became a sculptor!
The abalone shells also link my previous sculptural series ‘From the Bottom of the Sea’ and ‘Pearl’ series to the new ‘Mountain Lakes’ series. I consider abalone beautiful as they are, and incorporating them in my works was always going to be something I was going to be very careful about. The way around it was to forget about their preciousness and look at them purely as a sculpting material. Having previously crashed pearls and shells for sculpting, I found this worked this time too, and I could use the mother of pearl contained in abalone shells, including the varied textures and colours.
I used a map of the High Tatras Mountains and I lifted the shapes of mountain lakes out (plesa in Slovak). There are various myths and legends connected to the lakes, those helped me to decide which ones I’d like to enlarge and fill in with mother of pearl. For example ‘Green Duck Lake’ (Zelene Kacacie Pleso) has a myth of a mesmerising white duck laying a golden egg nearby it each Easter; yet no brave man was able to bring it home. Apparently they turned into a rock on contact with the egg!
I’ll return to abalone once again, as one aspect of it I haven’t explained yet. All shells are grittier and rougher on the outside and the inside of the shell that is in direct contact with the animal, the snail that lives in it, is very smooth and often shiny, containing mother of pearl. The inner side, normally considered by people as more attractive side is while the animal is alive, hidden away. The inner beauty is tucked away from us. I’ll compare it to humans now, as good comes within from our hearts us people, doesn’t matter about the outside shell…I self-reflect and have abalone to represent me, us people, as a gesture, adding second personal level to my work, apart from the geographical aspect.

Silvia Krupinska, Green Duck Lake, Hight Tatras, Slovakia, 2013

Silvia Krupinska, Green Duck Lake, Hight Tatras, Slovakia, 2013

The viewer has a power to a certain extend to change the works, by the reflective surface picking up the colours around it and slightly changing their colour depending. The levels of the light make the artworks change too – they become more ‘sparkly’ with lots of light or colourful and calmer in more shady spot.
These new pieces move between of mediums of sculpture and drawing. Ultimately they are sculptures.

You can see my ‘Mountain Lake’ series and my fellow artists works already starting on Tuesday, 23rd of April at DegreeArt gallery at Vyner street, London. Read more here. I hope to see you there. The show is on till May 5th, 2013. Thank you!


I’ve been considering using some Pearl Nautilus shells as sculpting material. However, after doing some essential research I changed my mind. It’s being overfished and it will become endangered species in the near future.
This is what one looks like on the left. In case you see it on your exotic holidays or online, think twice about getting it. I’m going for a more sustainable alternative, farmed Abalone on the right.

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