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15057842_10154456703608780_1307977250_nThe first in a series of exhibitions, Tracing Wastelands focuses on the materiality of waste and how human agency plays a vital role in this transition. Teasing out strands of the same chord, the exhibiting artists have investigated scientific, social and cultural perspectives, evolving a range of methodologies to what the concept of waste means, and our responsibility towards it.

Tracing Wastelands is an exhibition of work, evolved through a collaboration between MA Art and Science, Central Saint Martins, and the Government Office for Science.

Exhibiting artists are:

Julius Colwyn | Silvia Krupinska | Beckie Leach | Hannah Scott | Stephanie Wong | Jennifer Crouch

Curated by: Ellie Armstrong and Julius Colwyn

The Depot, 38 Upper Clapton Road,  London, E5 8BQ

18 November – 20 November

Opening Times: 
Friday 18th : 6pm-9pm Private View
Saturday 19th : 12-6pm
Sunday 20th : 12-6pm
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To accompany the exhibition a walk will be taking place in Walthamstow Wetlands led by me. The walk will be focusing on exploring reedbeds and their function, acting as living natural filtration devices and much more. An expert from the field will join us on the day. Free, booking required as space is limited: https://www.eventbrite.com/e/reedbeds-of-walthamstow-wetlands-walk-tickets-29203217610

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It’s fast approaching. I can’t believe the time has passed so quickly and our degree show is open to public at the end of May! I’ll present a sculptural installation Studio Hide, including this Dead Plastic Bird sculpture below, shown as work in progress.

dead plastic bird, social media 01

“New innovative work by pioneering Central Saint Martins graduates, that challenges the concept of fine art through interdisciplinary practice.”

DATES | Wed 25th – Sun 29th May 2016

LOCATION | Central Saint Martins, University of the Arts London, 1 Granary Square, London N1C 4AA, United Kingdom

OPENING TIMES | Wed to Fri 12.00 – 20.00 | Sat to Sun 12.00 – 18.00

UNFOLDING REALITIES presents the work of 20 MA Art and Science graduates at Central Saint Martins. Since its inception in 2011 this pioneering course, the first of its kind, has provided a unique global platform for students across a wide range of fields, on which they extend and contribute to the expanding interdisciplinary branch of knowledge – Art and Science. Responding to this fast emerging territory for collaborative practice which redefines creativity across disciplines, UNFOLDING REALITIES practitioners from fine art, design, photography, neuroscience, art history, mathematics, choreography and architecture have been inspired by their individual connections and observations of the world and the challenge of interrogating this beyond disciplinary boundaries.Unfolding Realities A3-POSTER-1Facebook event    Facebook page  Twitter: @artsciencecsm

 

MA Art and Science staff and students are offering a range of creative workshops exploring observations and experimentations in art and science on Saturday 5 and 12 March, at Central Saint Martins.

Come along and get hands on with slime mould problem solving, microbial image making, nebula bottling, water mapping, microscopy inspired glass sculpting and chemigram making. Creative art and science workshops are designed for adults and young people.Young people must be 12+ and accompanied by an adult.

All proceeds go towards the MA Art and Science Degree Show (open to the public 25-29 May 2016).

Cost: £14 adult | £12 UAL staff/student | £9 child/senior/unemployed
(discounts available when you book two or more workshops, applied at checkout)

See details and booking links below…

1lookingglass

 

MA ART AND SCIENCE WORKSHOP #1

Through the Looking Glass & Microbial Me

5 March 2016, 11:00 – 13:00

Through the Looking Glass (with Jenny Walsh)
Glass played a crucial role in enabling man to see beyond the visual eye. In this workshop discover how skilled craftsmen learned to grind glass and change its composition to revolutionise the way we investigate the microscopic world. Inspired by microscopic images each participant will be invited to create their own microscope slide using glass confetti and stringers.

and

Microbial Me (with Mellissa Fisher)
Learn about the invisible world on your skin, think about your own microbes and design your own microbial portrait using a painting technique and collage. Each person will have their own microbial face to take home along with knowledge about bacteria!

BOOK THIS WORKSHOP

Attentive Topologies and Water Mapping workshop by Beckie Leach and Silvia Krupinska

 

MA ART AND SCIENCE WORKSHOP #2

Attentive Topologies & Water Mapping

5 March 2016, 14:00 – 16:00

Attentive Topologies and Water Mapping (with Beckie Leach & Silvia Krupinska)
Focusing on the canal area next to Granary Square in Kings Cross (in front of Central Saint Martins), this workshop will guide you through a series of attentiveness exercises exploring sound and water. You will find out about phenomenological approaches to artistic practice and water/sound quality, and create expressive maps capturing the movement of water and sound.

BOOK THIS WORKSHOP

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MA ART AND SCIENCE WORKSHOP #3

Slime Mould Boot Camp

12 March 2016, 11:00 – 13:00

Slime Mould Boot Camp (with Heather Barnett)
The slime mould, Physarum polycephalum, is a small brainless protozoa with surprising intelligence. Used as a model organism in many areas of scientific research it also makes for a great creative collaborator. In this workshop you will discover the fascinating role this single celled organism has to play in the cultures of science and art, and design a practical experiment to test its capabilities and problem-solving skills. Each participant will take home a new microbial pet to observe and experiment with.

BOOK THIS WORKSHOP

2chemigram

 

MA ART AND SCIENCE WORKSHOP #4

The Chemigram Spell & Bottle Your Own Nebula

12 March 2016, 14:00 – 16:00

The Chemigram Spell (with Don Li & Mira Varg)
Offering some fresh air in the midst of a digital age, the workshop explores the potential of analogue photographic processes through a hands-on session, working with tools and materials that are unconventionally related to photographic processes – including paint brushes, syringes, honey and varnish. Come and experience the magic of an alternative image making process.

and

Bottle Your Own Nebula (with Carla Mancillas Serna)
Nebulas are massive clouds of interstellar dust in space, mainly composed of helium and hydrogen and other chemical elements. They are also known as “stellar nurseries”. These clouds of different shapes, sizes and colours coalesce in space, collapse and give birth to stars and planetary systems, like our own solar system. Learn about how nebulae form and create your own bottled cloud inspired by the colours and textures of cosmic dust.

BOOK THIS WORKSHOP

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Bottle Your Own Nebula

Normally when I make a new sculptural series or any other art, I try to exhibit the works pretty soon after (or they are made for a particular show). It wasn’t so much the case with The Bio Landscapes series. They were made around 5 years ago. I never before felt it was the right time to exhibit them. They were weirdly different and a bit “alien”. I borrow this word from my very good friend Charlotte Bint, who wrote about them in 2010. (To read the full text visit my about page and scroll down.)

“The cumbersome forms have an uncomfortable presence in the room, as they seem to posses a level of autocracy. Though they speak clearly of their own physicality and materiality, when encountering them, there is a sense that one has just missed out on witnessing their manifestation, and that their status of full and real existence in the world has only been very recently established. There is something of the supernatural or alien about them, a feeling that they are encroaching. Simultaneously appearing both transient and weighty, their ambiguity only adds to their weirdness. Despite the human hand being so prevalent in this work, one could almost believe that they are able to change form independently.”

The time has come. I’m showing them for the first time in the exhibition space of the Central Saint Martins College in London, where I’m studying my MA Art and Science. The Big Space as we call it there, is the ideal arty cultivating space for them. When the brief for this group show came through, they lit up in my head. : )

A big thanks to Alex Schady for installing the Bio Landscapes higher I could reach. Cheers to photographer Bonamy Devas for the install photos, too. I’ll bring more images from the exhibition very soon. There are some amazing works to be seen by around 50 CSM students. Thanks for reading and have a great November! S

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Bio Landscapes (2009) (C) Silvia Krupinska

 

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CSM_BIG_Space_install_19-11-2014-2

Photo by Bonamy Devas (2014)

 

 

 

After eight years since my graduation from the BA Fine Art at Chelsea School of Art and Design in London, I’m returning to study at The University of the Arts London. I’m thrilled to be accepted to the MA Art and Science at Central Saint Martins. I’ve been feeling settled for many years with my BA, having the best times in my studio doing various projects, but somehow this year something has changed, I’ve become even more hungry to learn. It all happened so suddenly, and now I’m a student again, beginning a two year full time MA at the end of September 2014.

http://www.arts.ac.uk/csm/about-csm/facilities/virtual-tours/granary/

For super curious, a virtual tour of CSM here. http://www.arts.ac.uk/csm/about-csm/facilities/virtual-tours/granary/

How do I feel? Well, I’m very excited and terrified at the same time. Do I know how to be at UNI after all this time? Saying that, I’ve a good idea about what I’m interested in and Nathan, our course leader reassured me, it’s very different than being an undergraduate student. We all will be very keen to learn, serious about our art and science path, and we will have lots of opportunities to link and network. I’m very happy about my decision to do this. I can’t wait to meet my 19 class mates now, and explore the art & science angle in my practice!

So my art studio will be moving to a different location. I had been interviewed perhaps for the last time in my long term art studio at Unit 3 this August. Lovely team from online TV skcz.tv wanted to know where my inspirations come from, and they asked me about my transition from Poprad, Slovakia to London in January 1999, when I became a Londoner. I’d like to say a big thank you to SKCZ.TV! The document is in Slovak only, if you don’t speak it but you’re curious about my studio, soon to be moved to CSM, you might like to watch?

Until next time!

S

skcz.tv logo snap 01

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