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Normally when I make a new sculptural series or any other art, I try to exhibit the works pretty soon after (or they are made for a particular show). It wasn’t so much the case with The Bio Landscapes series. They were made around 5 years ago. I never before felt it was the right time to exhibit them. They were weirdly different and a bit “alien”. I borrow this word from my very good friend Charlotte Bint, who wrote about them in 2010. (To read the full text visit my about page and scroll down.)

“The cumbersome forms have an uncomfortable presence in the room, as they seem to posses a level of autocracy. Though they speak clearly of their own physicality and materiality, when encountering them, there is a sense that one has just missed out on witnessing their manifestation, and that their status of full and real existence in the world has only been very recently established. There is something of the supernatural or alien about them, a feeling that they are encroaching. Simultaneously appearing both transient and weighty, their ambiguity only adds to their weirdness. Despite the human hand being so prevalent in this work, one could almost believe that they are able to change form independently.”

The time has come. I’m showing them for the first time in the exhibition space of the Central Saint Martins College in London, where I’m studying my MA Art and Science. The Big Space as we call it there, is the ideal arty cultivating space for them. When the brief for this group show came through, they lit up in my head. : )

A big thanks to Alex Schady for installing the Bio Landscapes higher I could reach. Cheers to photographer Bonamy Devas for the install photos, too. I’ll bring more images from the exhibition very soon. There are some amazing works to be seen by around 50 CSM students. Thanks for reading and have a great November! S


Bio Landscapes (2009) (C) Silvia Krupinska




Photo by Bonamy Devas (2014)




After eight years since my graduation from the BA Fine Art at Chelsea School of Art and Design in London, I’m returning to study at The University of the Arts London. I’m thrilled to be accepted to the MA Art and Science at Central Saint Martins. I’ve been feeling settled for many years with my BA, having the best times in my studio doing various projects, but somehow this year something has changed, I’ve become even more hungry to learn. It all happened so suddenly, and now I’m a student again, beginning a two year full time MA at the end of September 2014.

For super curious, a virtual tour of CSM here.

How do I feel? Well, I’m very excited and terrified at the same time. Do I know how to be at UNI after all this time? Saying that, I’ve a good idea about what I’m interested in and Nathan, our course leader reassured me, it’s very different than being an undergraduate student. We all will be very keen to learn, serious about our art and science path, and we will have lots of opportunities to link and network. I’m very happy about my decision to do this. I can’t wait to meet my 19 class mates now, and explore the art & science angle in my practice!

So my art studio will be moving to a different location. I had been interviewed perhaps for the last time in my long term art studio at Unit 3 this August. Lovely team from online TV wanted to know where my inspirations come from, and they asked me about my transition from Poprad, Slovakia to London in January 1999, when I became a Londoner. I’d like to say a big thank you to SKCZ.TV! The document is in Slovak only, if you don’t speak it but you’re curious about my studio, soon to be moved to CSM, you might like to watch?

Until next time!

S logo snap 01

I love growing flowers and anything that would grow on my balcony. But this post isn’t about an ordinary plant, it’s a “Plant Transplant” I want to show you. It began on my research trip in Slovakia, where we visited a famous site in Hradok – Ganovce near Poprad. The Stonemason Koloman Koki found an endocranium (skull segment filled with travertine) in 1926. The skull supposedly belonged to a Neanderthal female, whom I’m guessing, was drinking from a mineral spring and fell into the well or some kind of a mini cave below, poisoned by the gases, never recovered from the fall and died there. The minerals fossilized and preserved her body, which was never found but the only travertine segment. (Ref. Exhibition catalogue Ganovce – The Neanderthal Man and his Living Environment, Podtatranske Muzeum Poprad, 2009)


Plant-transplant-in-SK Above: The samples found around the Hradok – Ganovce site, then in SLovakia waiting to fly to the UK.

Plant-transplant-UK Above: Transplanted plants growing in London – June 2014.

During my visit of the site in spring 2014, I’ve taken some plant samples which are a part of the research and exploration of the Neanderthal topic, in collaboration with Podtatranske Muzeum Poprad. To my delight, I was able to bring the samples to the UK and grow them in a planter on my balcony. This Plant Transplant is work in progress and I’m looking forward to bringing you more about it later.

Until next time, have a great summer!



I was recently interviewed by artist Hannah Adamaszek and this lovely blog – ‘well why don’t you?’ and here is the reblogged article. It was a pleasure to work with them! I hope you’ll enjoy it. Thank you for reading.

well why don't you…?

Nature and organic forms are the perfect sculptures and Silvia Krupinska does it perfectly.  We have met her a few times from collaborative shows at Curious Duke Gallery, and have wanted to interview her ever since.  Here she explains how she started and what motivates her to create these beautiful works

Tell us about yourself, how did you start making sculptures?

I’m an organic texture artist based in London but originally from Slovakia. I always knew I wanted to be an artists, but only in my second year (2005) during my BA at Chelsea School of Art and Design, I moved away from only painting and have began to make 3D installations and sculptures. Interestingly, painting has never left me completely. There were times I called myself a ‘painterly sculptor and sculpterly painter’. I enjoy making sculptures the most, when I experiment with a technique and something unexpected happens…

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