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Advance planner for your calendar:

Yes, it is true we’ll have an exhibition in DegreeArt after our residency is over there, but here is one show I’ll be doing straight after.

I’ll be working on new projects in Unit 3 Projects space in London from 29th April to 26th May. Pop in to see me there as the work develops and come to the PV on Thursday 23rd May, 6-9pm.

Email to if you’re planning a visit during the development stage.
Thank you.

Facebook event page.

Origins show poster


Find out more about what is coming next on my website by clicking on Exhibitions.

Lovely Curious Duke Gallery in London, which is representing me has put up my organic sculptures on their website in the online shop. I’m very excited and this way I’d like to extend the invitation to you to have a look and buy your favourite piece! Now my dear friends and followers in America, Canada, Italy and rest of the Europe, in the far India and China and beyond have a way to purchase my art, without being physically present in London contacting me or the gallery.

Links to Curious Duke Gallery on twitter on facebook and their website.

This post has been updated on 03/03/2015. Please note you can now see my work in person or visit my own online shop. Curious Duke Gallery don’t represent me any more. However, if you wish to contact them, you’re free to do so, and the gallery will get in touch with me. Many thanks!

I’m happy to have seen an exhibition of some leading Slovak artists from 1960-2000. The works by them have shaped the happening of the Slovak Art Scene to this day, including myself. I’m talking about exhibition – Independent Scene. A Segment of Slovak Visual Art 1960-2000 in the Embassy of Slovak Republic in London. I’d introduced this show to you prior to the private view, in this post.  If you are interested in the Slovak Art and European Art in general, and this crucial creative period of 1960-1989, it’s a must see for you!

The exhibition is curated by Zuzana Bartošová, research worker at the Institute of Art History, Slovak Academy of Sciences. Henry Meyric Hughes, Honorary President of International Association of Art Critics (AICA) Paris, opened the event with this speech. The works presented in the exhibition come from the First Slovak Investment Group’s collection (Bratislava, Slovakia).

Here is an extract of the speech by Mr. Hughes. I’ve learnt so much by listening to it over and over again:

“What you see here in this space is the crème de la crème and very carefully chosen work by Zuzana Bartosova, a step ahead of the works perhaps in the Slovak National Gallery Collection.”

Jankovič piece, The Movable Hands are moving, waving in unison. That in a sense sets the scene to the way that artists have responded, artists who are outside the official system, right up to 1989. They maintained their own independence and contacts with artist in surrounding countries, and responded to ideas in the outside world. Most of those artists were almost working in isolation. But, almost all of these works here are kind of the key works of the individual artists concerned. In sense, there was a double divorce, if you were living in Bratislava. There was a divorce from centralized part, artistic patronage provided by Prague (which was a dominant partner in this federated republic) and of course there was a divorce from the west. The isolation in Bratislava really was the fertile element, artists were left to their own devices, maybe they were followed a bit by the security police, but on the whole they could do what they wanted, provided they didn’t put their heads up above the parapet. I think, this is the essential message you are getting from this exhibition. All those artists and their work up to 1989 have formed the basis of the Slovak Art.”

Participating artists:

Milan Adamčiak (*1946), Peter Bartoš (*1938), Juraj Bartusz (*1933), Mária Bartuszová (1936 – 1996), Pavol Binder (1935 – 2009), Milan Bočkay (*1946),Klára Bočkayová (*1948), Ivan Csudai (*1959), Ladislav Čarný (*1949), Marián Čunderlík (1926 – 1983), Milan Dobeš (*1929), Ľubomír Ďurček (*1948), Rudolf Fila (*1932), Stanislav Filko (*1937), Daniel Fischer (*1950), Vladimír Havrilla(*1943), Jozef Jankovič (*1937) Igor Kalný (1957 – 1987), Michal Kern (1938 – 1994), Alojz Klimo (1922 – 2000), Martin Knut (*1964), Július Koller (1939 – 2007), Vladimír Kordoš (*1945), Patrik Kovačovský (*1970), Juraj Meliš(*1942), Igor Peter Meluzin (*1947), Marián Meško (*1945), Anastázia Miertušová (1927 – 2002), Igor Minárik (*1948), Alex Mlynárčik (*1934), Marián Mudroch (*1945), Ilona Németh (*1963), Milan Paštéka (1931 – 1998), Karol Pichler (*1957), Vladimír Popovič (*1939), Rudolf Sikora (*1946), Ivan Štěpán (1937 – 1986)Laco Teren (*1960), Dezider Tóth (*1947), Rudolf Uher (1913 – 1987), Miloš Urbásek (1932 – 1988), Jana Želibská (*1941)

You can see my video invitation and a small tour around the space of The Embassy Of Slovak Republic, where the show is held:

And finally a wide selection of photos from the exhibition. Thanks for reading my post. Contact me, if you have any questions.

7 March – 10 April 2012 

Slovak Embassy, 25 Kensington Palace Gardens, London W8 4QY

Opening hours from 9 am to 4 pm

For security reasons, please contact the Embassy before your visit.

Tel: 02073136470, e-mail:

"Vertical and Horizontal Relief" by Maria Bartuszova from 1985.

This heroic exhibition of Slovak Art between years 1960-2000, that I hadn’t even dreamt of seeing in London, is coming! I can’t tell you how excited I’m to be able to see this important show. I’ll be there this Wednesday, 7th March 2012 from 6-8pm and I’ll be reviewing and documenting the show. My long admired Mária Bartuszová will feature “Vertical and Horizontal Relief” from 1985. Show will display works by the Slovak Art Scene stars such as Vladimír Popovič, Jozef Jankovic, Frieze Magazine loved Julius Koller…

The exhibition presents a segment of the work of independent personalities from the 1960s and younger artists participating in the activities of the unofficial art scene in the 1970s and 1980s. The collection is supplemented with examples of the work of next generation artists, which have not been affected by the restricting ideology.

The exhibition is curated by Zuzana Bartošová, research worker at the Institute of Art History, Slovak Academy of Sciences and Mr. Henry Meyric Hughes, Honorary President of International Association of Art Critics (AICA) Paris, will open the event. The works presented in the exhibition come from the First Slovak Investment Group’s collection (Bratislava, Slovakia).

Slovak fine art in the second half of the 20th century represents a phenomenon with a quality comparable to the European standard. Since the 1960s it has been characterised by the plurality of styles and opinions. After artists, both young and old, abandoned socialist realism, contemporary artistic tendencies emerged onto the art scene: art informel, new realism, pop-art, new figuration, constructivism and kinetic art, lettrism, conceptual art, action art, object and installation. The promising development of pluralist Slovak fine art, which had started to be accepted by the international art scene, was interrupted by the so-called consolidation of society after the seizure of Czechoslovakia by the armies of the Warsaw Pact (21 August 1968). Both the civil and artistic freedoms of the period of “socialism with a human face” became a thing of the past and were replaced with ideology and the revival of socialist realism. The neo-avant-garde tendencies have survived in the works of independent personalities of the unofficial art scene, which was compatible with the art scene in the Euro-American context. It was due to the activities carried out by the unofficial art scene that after the Velvet Revolution (1989), one could state that Slovak fine art in the second half of the 20th century represents a sphere that never ceased to be a part of international visual discourse.

Julius Koller, born 1939-Czechoslovakia, 1968

Participating artists:

Milan Adamčiak (*1946), Peter Bartoš (*1938), Juraj Bartusz (*1933), Mária Bartuszová (1936 – 1996), Pavol Binder (1935 – 2009), Milan Bočkay (*1946), Klára Bočkayová (*1948), Ivan Csudai (*1959), Ladislav Čarný (*1949), Marián Čunderlík (1926 – 1983), Milan Dobeš (*1929), Ľubomír Ďurček (*1948), Rudolf Fila (*1932), Stanislav Filko (*1937), Daniel Fischer (*1950), Vladimír Havrilla (*1943), Jozef Jankovič (*1937) Igor Kalný (1957 – 1987), Michal Kern (1938 – 1994), Alojz Klimo (1922 – 2000), Martin Knut (*1964), Július Koller (1939 – 2007), Vladimír Kordoš (*1945), Patrik Kovačovský (*1970), Juraj Meliš (*1942), Igor Peter Meluzin (*1947), Marián Meško (*1945), Anastázia Miertušová (1927 – 2002), Igor Minárik (*1948), Alex Mlynárčik (*1934), Marián Mudroch (*1945), Ilona Németh (*1963), Milan Paštéka (1931 – 1998), Karol Pichler (*1957), Vladimír Popovič (*1939), Rudolf Sikora (*1946), Ivan Štěpán (1937 – 1986), Laco Teren (*1960), Dezider Tóth (*1947), Rudolf Uher (1913 – 1987), Miloš Urbásek (1932 – 1988), Jana Želibská (*1941)

Jozef Jankovic,born 1937-Movable Hands, 1970

I’ll be posting more about this exhibition. I’m planning to do some interviews and documenting as much as possible. I really recognize the importance of this event, just by researching and linking the artists in the show, I’ve learned so much. Big lesson of the Independent Scene. A Segment of Slovak Visual Art 1960-2000 begins tomorrow. See you there! Silvia

Join the Facebook event here.

7 March – 10 April 2012 

PV 7 March 6-8pm

Slovak Embassy, 25 Kensington Palace Gardens, London W8 4QY

Opening hours from 9 am to 4 pm

For security reasons, please contact the Embassy before your visit.

Tel: 02073136470, e-mail:

(source: Embassy of the Slovak Republic, London)

Today’s video card is from my local community run gallery The Stone Space in Leytonstone. I’m pleased that a gallery is taking off nicely. With the effort that has been put in already The Stone Space is becoming a respected and loved place not only for the local artists, but also all the art enthusiasts and art collectors. I went to the Stone Space for the opening of an exhibition called “Spill” by artists Alke Schmidt and Della Rees. I had my reporter glasses on and I had my pocket video camera in my hand to bring you some visuals and sound (watch it below). A friend on Facebook commented on my post last night calling me “the art world equivalent of Tintin” which I thought was very funny. I hope you enjoy my venture and if you like the video card, why not to visit the gallery ? All you need to know about this exhibition and coming shows too, can be found here .

Thanks for your visit



The Stone Space Gallery, Leytonstone

Della Rees, Twenty Ship Spills, detail

Alke Schmidt, History of a Curios Incident in the Gulf of Mexico - Part 2

Artists Alke Schmidt, Silvia Krupinska, Della Rees

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